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Wednesday, February 27, 2013

Some Like It RAW. Part 02: Low Light


Welcome to Part 02 of Some Like It RAW, where I am comparing the Arri Alexa, Blackmagic Cinema Camera, and the Red Epic. My goal for these tests is to explore how each of these cameras handle real world shooting environments. Part 01 explored how these cameras handle IR pollution. In part 02, I test the limits of low light levels, or underexposure. Continue on to watch the 11 minute video, read my summary, and get the downloadable RAW frames from each camera.

Wednesday, February 20, 2013

Some Like It RAW. Part 01: IR Testing


I recently spent a day testing and comparing the Arri Alexa, Blackmagic Cinema Camera, and the Red Epic. My goal for these tests was to explore how each of these cameras handles real world shooting environments. It was not to determine winners and losers. If you are of the opinion that there is only one great camera out there, then this series of tests is not for you. If, on the other hand, you are openminded enough to get past the camera hype, and you want to know how these cameras respond, then I invite you to keep on reading. (I have also made the RAW files available for download).

Wednesday, February 13, 2013

Why Tax Incentives For Film Are Not The Answer

© Ryan E. Walters: Stock Footage
At a time when personal, local, state, and federal budgets are stretched thin and when people have been out of work for more than a year, it would seem like a great idea to attract new business to drive economic growth. After all, more work equals more income which means more revenue for everyone. Why not attract film productions to our states through tax incentives? Unfortunately, this is not proving to be the case. Instead it is developing into a race to the bottom where the only winners are the studios and producers.

Wednesday, February 6, 2013

Can You Really Use A Light Meter App?

The Studio Setup
If you have been following my blog for any length of time, you have probably picked up on the fact that I am a big fan and proponent of using a light meter. With Sekonic's release of the 478D they increased the functionality of what a meter can do and made it more affordable. But what if you don't have $389? Can a free light meter app, or one that costs $4.99, do the job? That's what I set out to explore and the answer may surprise you.

Wednesday, January 30, 2013

How To Succeed As A Freelancer

© 2009 Ryan E. Walters - Stock Footage
So you have decided to quit your day job and venture into the exciting world of freelance work, where you get every day off, you set your own hours, and life is always enjoyable. At least that is how it feels as you sit behind your desk finishing out the remainder of your two week notice. It is true, there are many perks of living life in the freelance world. However, it is not for the faint of heart, as it brings with it a whole new set of struggles. In what follows, I'm going to to give you seven tips on how to succeed in the world of freelance, so that those struggles will be fewer and easier to bear.

Wednesday, January 23, 2013

How To Choose A Slider. Or Which One Is Right For Me?


It seems like these days everyone and their grandmother is making a slider. And with the deluge of options on the market, it can be tough trying to figure out which is the right one to buy for your setup. I'm going to take a look at three different systems, and address their issues in an effort to better help you navigate your purchase or rental decisions.

Wednesday, January 16, 2013

The Training You Need To Get Ahead


As a visual artist, the most important asset you have is your vision. It is what sets you apart in this challenging marketplace. However, that vision is of no value if you do not have the skills to implement it. To stay on top of your game, you need to invest in yourself through education. Last week I talked about benefits and drawbacks of film school; this week I am sharing my extensive list of training resources (both paid & free) that will enable you to develop the skills you need to implement your vision.